By Susanne Stark
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Additional resources for Behind Inverted Commas: Translation and Anglo-German Cultural Relations in the Nineteenth Century (Topics in Translation, 15)
Its assertive creativity is also reflected by the expressive imagery of the texts dealing with the process of transformation from one language into another. From Friedrich Schleiermacher's hermeneutic approach to Walter Benjamin's and Jacques Derrida's considerations about the afterlife and the death of textuality, the topic of translation has created a highly metaphorical, imaginative and fine philosophical body of secondary literature by a wide variety of authors, who are themselves not necessarily primarily known as translators.
In particular, the wealth of frequently uncatalogued archive material, especially German manuscripts in British archives and English documents in German archives, which are an invaluable source for research into forms of cultural transmission and cross-fertilisation, must not be underestimated. Page 15 The focus on the intellectual exchange between Germany and England is also in many ways a particularly fertile ground for this undertaking, since German Romantic hermeneutic texts were absorbed in Britain with the specific goal of exploring the implications of having ideas translated.
It is based on a document; all I have brought to it is my knowledge of the Russian language, which is sufficient for what is attempted here. (Conrad, 1985: 55) What is more, Razumov himself is encouraged to increase the impact of his ideas by communicating them in more than one language, when he encounters the mysterious Julius Laspara who has a reputation of being an 'obscure celebrity': Polyglot, of unknown parentage, of indefinite nationality, anarchist, with a pedantic and ferocious temperament, and an amazingly inflammatory capacity for invective, he was a power in the background, this violent pamphleteer clamouring for revolutionary justice, this Julius Laspara, editor of the Living Word, confidant of conspirators, inditer of sanguinary menaces and manifestos, suspected of being in the secret of every plot.