By Lee Patterson
This quantity brings jointly Lee Patterson’s essays released in numerous venues during the last twenty-seven years. As he observes in his preface, “The one chronic acceptance that emerged from writing those differently rather disparate essays is that regardless of the textual content . . . and whoever the folk . . ., the values at factor stay vital to modern life.” dialectics are at paintings during this booklet: that among the previous and the current and that among the person and the social, and either have ethical importance. the 1st chapters are methodological; the 1st is at the ancient knowing of medieval literature and the second one on the way to deal with the inseparability of truth and cost within the school room. the subsequent 3 chapters absorb 3 “less-read” overdue medieval writers: Sir John Clanvowe, Thomas Hoccleve, and John Lydgate. each one is used to light up a social phenomenon: the character of courtroom tradition, the adventure of the town, and Henry V’s act of self-making. the next bankruptcy explicitly hyperlinks earlier and current through arguing that the bearing of the English aristocrat comes from a convention starting with Beowulf and later reinvoked based on nineteenth-century imperialism. the following 3 chapters are the main literary, facing Chaucer and with literary conventions when it comes to a couple of texts. the ultimate bankruptcy is at the guy Patterson considers probably the most very important of our medieval ancestors, Francis of Assisi.
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Extra info for Acts of Recognition: Essays on Medieval Culture
Nevertheless, the inherent disadvantages of the lecture system can be ameliorated. Perhaps the most important way is through the section system used by many large universities, which allows undergraduates an opportunity to meet in a small group with a graduate teaching assistant. While the lecturer will visit these sections on occasion, my own policy is merely to observe so as to offer the graduate assistant whatever pedagogical advice might be helpful. A largely hands-off role is important to ensure the intellectual independence of the graduate assistants, who function best when they bring to the material viewpoints slighted by or opposed to those of the lecturer and so model intellectual independence for the students.
According to Robertson, the key principle of medieval aesthetics is the Augustinian definition of beauty as convenientia, which means the harmony that obtains when individual elements are organized according to symmetry and hierarchy in order to form a whole (Preface, p. 120). Convenientia is beautiful not so much in and of itself but because it replicates the divine order. The most massive medieval expression of convenientia is in one sense the Gothic cathedral, which articulates a divine plan through its scrupulous organization.
22 Acts of Recognition some dive bouteille, he would not have commenced it: “Tu ne me chercherais pas si tu ne m’avais pas déjà trouvé,” says Pascal’s God. . It is not by chance that the “philological circle” was discovered by a theologian, who was wont to harmonize the discordant, to retrace the beauty of God in this world. ”50 At heart, as Spitzer suggested, the humanist piety that Geistesgeschichte displays toward the past is a barely displaced version of religious devotion. Religious devotion, although in a fully explicit form, is also behind the other, narrower enterprise that Exegetics draws upon, iconography.